King Crimson - 1974 Penn State University

Fakta To coincide with the releases of “Starless & Bible Black" in March 1974, King Crimson set out on a run of shows that many fans consider to be that line-up’s peak with the late music critic John Kelman (All About Jazz) describing them as being at their “heaviest and most guitar-centric version of Crimson to date" where “even 24 hours represented a significant difference in how this group approached form-based material". In the final week of June, as the band neared its conclusion as a live act, four of these concerts - including the Asbury Park show from which much of the original 1975 released “USA", single live LP was derived – were recorded to multi-track tape but, with the exception of that release, lay unreleased until the 1992 assemblage/mix & compilation of “The Great Deceiver" boxed set by Robert Fripp & David Singleton which was centred around those performances. In the notes to that set Robert Fripp described the band’s 1974 tour as a period of “balanced disarray" characterised by “chaotic and intense" performances and “powerful, almost brutal improvisations". With the rapid growth of CD in the 1980s came an equally rapid growth in bootlegging and by 1992 there were over 120 different King Crimson bootlegs – many focusing on poor quality recordings of the 1973/74 touring band whose reputation among fans and influence on a generation of musicians continued to grow. The first pressing run of “The Great Deceiver" sold out within weeks & was re- pressed by DGM in the same format before being split into two double CD sets in the early 2000s. The release also did much to re-establish King Crimson’s critical reputation, especially in the UK.